{"id":1119,"date":"2021-08-13T18:44:30","date_gmt":"2021-08-14T01:44:30","guid":{"rendered":"http:\/\/slcr.wsu.edu\/newsletter\/?page_id=1119"},"modified":"2021-08-30T21:27:45","modified_gmt":"2021-08-31T04:27:45","slug":"research-and-publications-2021","status":"publish","type":"page","link":"https:\/\/slcr.wsu.edu\/newsletter\/research-and-publications-2021\/","title":{"rendered":"Research and Publications"},"content":{"rendered":"<section id=\"builder-section-1629155030607\" class=\"row single h1-header gutter pad-top\">\n<div style=\"\" class=\"column one \">\n<h1>Research and publications<\/h1>\n<\/p><\/div>\n<\/section>\n<section id=\"builder-section-1629301807913\" class=\"row margin-right gutter pad-top\">\n<div style=\"\" class=\"column one \">\n<header>\n<h2>Books<\/h2>\n<\/header>\n<p><strong>Guerrero, Lisa.<\/strong>\u00a0<em><a href=\"https:\/\/www.routledge.com\/Crazy-Funny-Popular-Black-Satire-and-The-Method-of-Madness\/Guerrero\/p\/book\/9781032073439\" target=\"_blank\" rel=\"noopener\">Crazy Funny: Popular Black Satire and The Method of Madness<\/a> (The Cultural Politics of Media and Popular Culture)<\/em>. Routledge, 2019.<\/p>\n<p>This book examines the ways in which contemporary works of Black satire make Black racial madness legible and allow us to see the connections between suffering from racism and suffering from mental illness.<\/p>\n<p>Showing how an understanding of racism as a root cause of mental and emotional instability complicates the ways in which we think about racialized identity formation and the limits of socially accepted definitions of (in)sanity. It concentrates on the unique ability of the genre of Black satire to make knowable not only general qualities of mental illness that are so often feared or ignored but also how structures of racism contribute a specific dimension to how we understand the different ways in which people of color, especially Black people, experience and integrate mental instability into their own understandings of subjecthood.<\/p>\n<p><em>Crazy Funny<\/em> draws on theories from ethnic studies, popular culture studies, cultural studies, psychoanalysis, and trauma theory to offer critical textual analyses of five different instances of new millennial Black satire in television, film, and literature\u2014the television show <em>Chappelle\u2019s Show<\/em>, the Spike Lee film\u00a0<em>Bamboozled<\/em>, the novel\u00a0<em>The White Boy Shuffle<\/em>\u00a0by Paul Beatty, the novels\u00a0<em>Erasure<\/em>\u00a0and\u00a0<em>I Am Not Sidney Poitier<\/em>\u00a0by Percival Everett, and the television show\u00a0<em>Key &amp; Peele.<\/em>\u00a0<em>Crazy Funny<\/em> presents an account of the ways in which contemporary Black satire rejects the boundaries between sanity and insanity as a way to animate the varied dimensions of being a racialized subject in a racist society.<\/p>\n<\/p><\/div>\n<div style=\"\" class=\"column two \">\n<p><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-1311 aligncenter\" src=\"https:\/\/wpcdn.web.wsu.edu\/wp-cas\/uploads\/sites\/3219\/2021\/08\/guerrero-book-cover.jpg\" alt=\"\" width=\"240\" height=\"366\" \/><\/p>\n<\/p><\/div>\n<\/section>\n<section id=\"builder-section-1629301859628\" class=\"row margin-right gutter\">\n<div style=\"\" class=\"column one \">\n<p><strong>Manzo-Robledo, Francisco<\/strong>.<em> <a href=\"https:\/\/www.amazon.com\/Pecado-Nefando-Literatura-Proceso-Colonias\/dp\/1588713725\/ref=sr_1_4?dchild=1&amp;keywords=Francisco+Manzo-Robledo&amp;qid=1621368890&amp;sr=8-4\">El Pecado Nefando: Literatura de proceso en Espa\u00f1a y colonias<\/a>.<\/em> Juan de La Cuesta-Hispanic Monographs, 2021.<\/p>\n<\/p><\/div>\n<div style=\"\" class=\"column two \">\n<p><strong><a href=\"https:\/\/wpcdn.web.wsu.edu\/wp-cas\/uploads\/sites\/3219\/2021\/05\/Pecado-Nefando.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter wp-image-1161\" src=\"https:\/\/wpcdn.web.wsu.edu\/wp-cas\/uploads\/sites\/3219\/2021\/05\/Pecado-Nefando.jpg\" alt=\"Cover of Pecado-Nefando by Francisco Manzo-Robledo.\" width=\"160\" height=\"254\" \/><\/a><\/strong><\/p>\n<\/p><\/div>\n<\/section>\n<section id=\"builder-section-1629301972852\" class=\"row single gutter\">\n<div style=\"\" class=\"column one \">\n<header>\n<h2>Chapters in edited collections<\/h2>\n<\/header>\n<p>Bloodsworth-Lugo, Mary K. 2019. \u201cRace, Bodies and Lived Realities in <em>Get Out<\/em> and <em>Black Panther<\/em>\u201d published in Philosophy and Film: Bridging Divides, edited by Christina Rawls, Diana Neiva, and Stephen S. Gouveia. Routledge, pp. 281-297.<\/p>\n<p>Bloodsworth-Lugo, Mary K. and Carmen R. Lugo-Lugo. 2019. \u201cThe End of the World, Hollywood, and the Endurance of Military Violence: <em>Elysium <\/em>and <em>World War Z.<\/em><em>\u201d<\/em> In Sarah Turner and Sarah Nilsen\u2019s <em>The Myth of Colorblindness: Race and Ethnicity in American Cinema<\/em>. New York: Palgrave. Pp. 283-297.<\/p>\n<p>Cao, Weiguo. 2020. Annotated translation of traditional Chinese tales \u201cBiography of the White Ape\u201d and \u201cRecords of Constructing the Grand Canal,\u201d published in <em>Anthology of Tang and Song Tales<\/em>, co-ed. by Victor H. Mair and Zhenjun Zhang and published by World Scientific.<\/p>\n<p>Leonard D.J. 2020 \u201cVirtual Antiracism: Pleasure, Catharsis, and Hope in <em>Mafia III <\/em>and <em>Watch Dogs 2<\/em>,\u201d published in <em>How Racialized Media is Designed, Delivered, and Decoded<\/em>, edited by Emma Lesser and Matthew Hughey. New York University Press, pp. 245-257.<\/p>\n<p>Leonard D.J. 2020. \u201cBlerd Ballers: Black Nerd Chic, Racial Authenticity and Sartorial Choices.\u201d Published in Are You Entertained? <em>New Essays on Black Popular Culture in the 21st Century<\/em>, edited by Simone Drake and Dwan Simmons. Duke University Press, pp. 134-152.<\/p>\n<p>Liu, Xinmin. 2019. Land, Technological Triumphalism and Planetary Limits: Revisiting human-land affinity,\u201d published in <em>Voices of the Margin: Critical Chinese Environmental Humanities<\/em>, edited by Chia-ju Chang, published by Palgrave MacMillan June, pp. 189-207.<\/p>\n<p>Lugo-Lugo, Carmen R. 2019. \u201cLatinas\/os in Hollywood: Contemporary Representations in Black and White.\u201d In Sarah Turner and Sarah Nilsen\u2019s <em>The Myth of Colorblindness: Race and Ethnicity in American Cinema.<\/em> New York: Palgrave. Pp. 215-236.<\/p>\n<p>Lugo-Lugo, Carmen R. 2019. \u201cSome of my Students are Leprechauns (Or Why it is Difficult for White College Students that Racism is still a Big Deal).\u201d In <em>Teaching with Tension.<\/em> Philathia Bolton, Cassander Smith, and Lee Bebout Eds. Northwestern University Press. Pp. 255-266.<\/p>\n<p>Lugo-Lugo, Carmen R. and Mary K. Bloodsworth-Lugo. 2020. \u201cDe-Racializing Representations of Femininity and the Marketing of Latinidad: Zoe Salda\u00f1a and L\u2019Oreal\u2019s True Match Campaign.\u201d In <em>Theories of the Flesh: Latinx and Latin American Feminism, Transformation, and Resistance.<\/em> Jos\u00e9 Medina, Andrea Pitts, and Mariana Ortega, eds. Oxford: Oxford University Press. Pp. 252-263.<\/p>\n<p>Manzo-Robledo, Francisco. &#8220;Carmen Sotillo: \u00bfv\u00edctima en Cinco horas con Mario?&#8221; <em>USA y Miguel Delibes<\/em>. Fundaci\u00f3n Instituto Castellano y Leon\u00e9s de la lengua. 2021. In Press.<\/p>\n<p>Navarro-Daniels, Vilma C. 2020. \u201cSobreviviremos como dos robinsones\u201d: La p\u00e9rdida de referentes sociopol\u00edticos como disoluci\u00f3n del sujeto en \u201cLa muerte mientras tanto\u201d de Ignacio Mart\u00ednez de Pis\u00f3n, published in <em>Crear entre mundos: nuevas tendencias en la metaficci\u00f3n espa\u00f1ola<\/em>. Albatros Ediciones.<\/p>\n<p>Navarro-Daniels, Vilma C. 2020. &#8220;La amante fascista&#8221;, de Alejandro Moreno Jash\u00e9s: Un viaje delirante a la oscura noche de Chile published in <em>La mirada opuesta: voces de victimarios en la literatura latinoamericana contempor\u00e1nea <\/em>edited by Bonilla and Artigas. City of Mexico, pp. 49-71.<\/p>\n<p>Navarro-Daniels, Vilma C. 2020. \u201cDe himno y eleg\u00eda: La guerra, de Gabriela Mistral, y Mientras los hombres mueren, de Carmen Conde\u201d (\u201cOf Hymn and Elegy: The War, by Gabriela Mistral, and While Men Die, by Carmen Conde.\u201d) <em>La poes\u00eda de la guerra civil espa\u00f1ola: una perspectiva comparatista<\/em>. Edited by Pilar Molina (Dublin Institute of Technology.) New York: Peter Lang Publishing, pp. 213-230.<\/p>\n<h2>Articles in refereed journals<\/h2>\n<p>Arellano, Francisco. 2020. \u201c<a href=\"https:\/\/www.ecologiapolitica.info\/?p=14034\">La frontera de M\u00e9xico y Estados Unidos como un proyecto eco-fascista<\/a>\u201d. <em>Ecolog\u00eda Pol\u00edtica<\/em>, 59, 84-88.<\/p>\n<p>Arellano, Francisco. 2019. \u201c<a href=\"https:\/\/revistaleca.org\/journal\/index.php\/RLECA\/article\/view\/237\">Monstruosidad, animalidad, humanidad: hacia una condici\u00f3n posthumana en <em>Patas de perro <\/em>de Carlos Croguett<\/a>\u201d. <em>Revista Latinoamericana de Estudios Cr\u00edticos Animales<\/em>, IV(2), 35-57.<\/p>\n<p>Bloodsworth-Lugo, Mary K. and Carmen R. Lugo-Lugo. 2019. \u201c<a href=\"https:\/\/www.tandfonline.com\/doi\/abs\/10.1080\/10402659.2019.1613601?journalCode=cper20\">Fears of Contagion and Militarized Responses to Disaster After 9\/11<\/a>.\u201d <em>Peace Review.<\/em> Vol.31.1. Pp. 91-99.<\/p>\n<p>Ginsburg, Samuel. 2020. \u201c<a href=\"https:\/\/ddd.uab.cat\/record\/235356\">Bombs, Bodies, and Ghosts: Navigating Rhetorical Legacies of Nuclear Technology in Recent Caribbean Science Fiction<\/a>,\u201d <em>Mitolog\u00edas Hoy, <\/em>\u00a022, pp. 191-208.<\/p>\n<p>Hubert, M. &amp; Bonzo, J. (2019). &#8220;<a href=\"https:\/\/pops.uclan.ac.uk\/index.php\/jsltr\/article\/view\/584\">Theory and Practice in U.S. University Foreign Language Writing Instruction<\/a>.&#8221; <em>Journal of Second Language Teaching and Research 7<\/em>(1), 1-19.<\/p>\n<p>Leonard, D.J. 2019. \u201c<a href=\"https:\/\/journals.sagepub.com\/doi\/abs\/10.1177\/0160597619835863\" target=\"_blank\" rel=\"noopener\">Virtual Anti-racism: Pleasure, Catharsis, and Hope in <em>Mafia III <\/em>and <em>Watch Dogs 2<\/em><\/a>,\u201d <em>Humanity and Society<\/em>. Volume 7, Number 4.<\/p>\n<p>Leonard, D.J., King, C. R. 2019. \u201c<a href=\"https:\/\/jhs.press.gonzaga.edu\/articles\/abstract\/10.33972\/jhs.121\/\" target=\"_blank\" rel=\"noopener\">The Resurgence of Hate: Introductory Notes on the 2016 US Presidential Campaign.<\/a>\u201d For \u201cHate and the 2016 Presidential Election,\u201d special issue of <em>Journal of Hate Studies<\/em>, eds. C. Richard King and David J. Leonard. Volume 14, Number 1, pp. 1-6<\/p>\n<p>Lugo-Lugo, Carmen R. and Mary K. Bloodsworth-Lugo. 2020. &#8220;<a href=\"https:\/\/labelmelatin.com\/wp-content\/uploads\/2020\/07\/Lugo-Narratives-of-Infectious-Threat.pdf\">Narratives of Infectious Threat and Contagion Crises in Contemporary Immigration Rhetoric<\/a>.&#8221; <em>Label Me Latina\/o<\/em>\u2019 special issue &#8220;(Un)Natural Disasters: Sites of Resistance.&#8221; Lorna Perez, guest editor. Vol. 10: Summer 2020. Pp. 1-10.<\/p>\n<p>Manzo-Robledo, Francsico. <a href=\"https:\/\/www.argus-a.com\/publicacion\/1556-la-violacion-de-reina-maria-luisa-en-la-novela-de-gabriel-garcia-marquez-el-general-en-su-laberinto-1989.html)\" target=\"_blank\" rel=\"noopener\">&#8220;La violaci\u00f3n de Reina Mar\u00eda Luisa, en la novela de Gabriel Garc\u00eda M\u00e1rquez El general en su laberinto (1989)&#8221;<\/a>. <em>Argus-a<\/em>, Vol. X Edici\u00f3n N\u00ba 39, 2021.<\/p>\n<p>Navarro-Daniels, Vilma C. 2020. <a href=\"https:\/\/dialnet.unirioja.es\/servlet\/articulo?codigo=7870044\" target=\"_blank\" rel=\"noopener\">Edipo se hizo mendigo y habit\u00f3 entre nosotros: una interpretaci\u00f3n de <em>La historia oficial <\/em>y <em>Cuerpos prohibidos<\/em><\/a>. <em>ITER, 26<\/em>, 9-32.<\/p>\n<p>Navarro-Daniels, Vilma C. 2019. &#8220;<a href=\"https:\/\/www.jstor.org\/stable\/26862350?seq=1#metadata_info_tab_contents\">Dibujar para subvertir: Cuerpo, g\u00e9nero y poder en las cr\u00f3nicas y los diarios gr\u00e1ficos de Marcela Trujillo -o Maliki 4-Ojos-<\/a>.&#8221; <em>Revista Canadiense de Estudios <\/em><em>Hisp\u00e1nicos, 43<\/em>(1), 143-168.<\/p>\n<p>Navarro-Daniels, Vilma C. 2019. <a href=\"http:\/\/revistas.umce.cl\/index.php\/contextos\/article\/view\/1466\/1516.\" target=\"_blank\" rel=\"noopener\"><em>Yo, maldita india<\/em>, de Jer\u00f3nimo L\u00f3pez Mozo: Una deconstrucci\u00f3n teatral del discurso hist\u00f3rico. <\/a><em>Contextos: Estudios de Humanidades y Ciencias Sociales, 45<\/em>, N\/P.<\/p>\n<p>Streamas, John. 2020. \u201cThe War Between School Time and \u2018Colored People\u2019s Time\u2019,\u201d <em>Teaching in Higher Education<\/em> 25:6, 709-21. DOI: <a href=\"https:\/\/doi.org\/10.1080\/13562517.2020.1782882\" target=\"_blank\" rel=\"noopener\">10.1080\/13562517.2020.1782882<\/a><\/p>\n<p>Streamas, John, \u201c<a href=\"https:\/\/academeblog.org\/2020\/06\/10\/power-and-trust-in-the-campus-racial-climate\/.\" target=\"_blank\" rel=\"noopener\">Power and Trust in the Campus Racial Climate<\/a>,\u201d <em>Academe Blog<\/em> of <em>Academe <\/em>magazine, 10 June 2020.<\/p>\n<\/p><\/div>\n<\/section>\n<section id=\"builder-section-1623797996478\" class=\"row single gutter\">\n<div style=\"\" class=\"column one \">\n<header>\n<h2>Presentations<\/h2>\n<\/header>\n<p>Ginsburg, Samuel. April 2021. \u201cIn this bleak abyss: The Speculative Autobiographical Writings of Carmen Maria Machado and Esm\u00e9 Weijun Wang\u201d. American Comparative Literature Association (Virtual).<\/p>\n<p>Ginsburg, Samuel. May 2021. \u201cThe Arecibo Observatory and US Techno-Colonialism in Puerto Rico,\u201d Malcolm M. Renfrew Interdisciplinary Symposium, University of Idaho (Virtual)<\/p>\n<p>Ginsburg, Samuel. May 2021. Latin American Studies Association (Virtual). \u201c\u2018Estuvo delicioso\u2019: Alien Sexualities and Radical Erotic Subjectivity in Recent Cuban Science Fiction\u201d<\/p>\n<p>Hubert, Michael. 2021. American Association for Applied Linguistics (AAAL) Conference. \u201cGrammatical avoidance in the university world language classroom: Instructor beliefs and practices\u201d.<\/p>\n<p>Navarro-Daniels, Vilma. May 2021. \u201cThe Radical \u2018Other\u2019 as the Guardian of Memory: Body, Voice, and Dissent in Sebasti\u00e1n Lelio\u2019s<em> A Fantastic Woman<\/em>.\u201d 39th International Congress of the Latin American Studies Association (LASA).<\/p>\n<p>Navarro-Daniels, Vilma. November 2020. \u201c\u2019Eight-pointed star\u2019: The Legacy of Victoria Urbano and the Association of Gender and Sexuality Studies, AGSS.\u201d 5th International Conference on Costa Rican Women Writers. Organized by Costa Rican Association of Women Writers, San Jos\u00e9, Costa Rica.<\/p>\n<p>Navarro-Daniels, Vilma. July 2020. \u201cLiving and Dying Outside Myth: An Interpretation of Josefina Aldecoa\u2019s <em>Porque \u00e9ramos j\u00f3venes<\/em> (Because We Were Young).\u201d II CICELI, 2nd International Conference, \u201cFemale Creators in Literary and Intercultural Education.\u201d Organized by Universitat de Val\u00e8ncia, Spain, Val\u00e8ncia, Spain.<\/p>\n<p>Navarro-Daniels, Vilma. June 2020. \u201cMarco Antonio de la Parra\u2019s Cuerpos prohibidos (Forbidden Bodies): A Tyrannical and Neoliberal Chilean Oedipus.\u201d 26th International Conference on Literature and Hispanic Studies (CIHL). Organized by Lock Haven University, Lock Haven.<\/p>\n<p>Martin, Spencer. May 2021. \u201cSeeing through the cracks: Local Latino experiences in a global pandemic.\u201d 20th Lusophone and Hispanic Conference [Re]Framing Knowledge, UC Santa Barbara, Department of Spanish and Portuguese.<\/p>\n<p>Skinner, Claudia. Do you want to form an alliance with me?&#8221;: Queer Techno-corporeal Communities on TikTok During COVID-19&#8243; during the &#8220;Misinterpellated Bodies and Technology&#8221; session at the 2021 Cultural Studies Association Conference.<\/p>\n<p>Streamas, John. April 2021. \u201cDisplacement and the Japanese American Experience,\u201d reading and discussion with graphic novelist Kiku Hughes, Get Lit! Literary Festival, Eastern Washington University, April 18. Get Lit! Festival 2021: Displacement and the Japanese American E&#8230; (sched.com)<\/p>\n<p>Streamas, John. April 2021. \u201cSteering Around the Transpacific in the Contemporary American Nuclear Imaginary,\u201d at the Association for Asian American Studies\u2019 annual conference online.<\/p>\n<\/p><\/div>\n<\/section>\n<section id=\"builder-section-1623798019529\" class=\"row single gutter\">\n<div style=\"\" class=\"column one \">\n<header>\n<h2>Grants and awards<\/h2>\n<\/header>\n<p>Niimi, Kayo. 2020. College of Arts and Sciences Excellence in Teaching by an Instructor.<\/p>\n<p>Previto, Maria S. (Principal Investigator). 2020-2021. &#8220;\u201cOnline Certificate in Spanish for Health Professionals\u201d \u2013 Samuel H. and Patricia W. Smith Teaching and Learning Grant,&#8221; Sponsored by WSU Academic Engagement and Student Achievement, Internal, $5,000.<\/p>\n<p>Shull, Collin. 2020. Affordable Learning Grant. Internal Grant, $5,000.<\/p>\n<\/p><\/div>\n<\/section>\n","protected":false},"excerpt":{"rendered":"<p>Research and publications Books Guerrero, Lisa.\u00a0Crazy Funny: Popular Black Satire and The Method of Madness (The Cultural Politics of Media and Popular Culture). Routledge, 2019. This book examines the ways in which contemporary works of Black satire make Black racial madness legible and allow us to see the connections between suffering from racism and suffering [&hellip;]<\/p>\n","protected":false},"author":28040,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-builder.php","meta":[],"wsuwp_university_location":[],"wsuwp_university_org":[],"_links":{"self":[{"href":"https:\/\/slcr.wsu.edu\/newsletter\/wp-json\/wp\/v2\/pages\/1119"}],"collection":[{"href":"https:\/\/slcr.wsu.edu\/newsletter\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/slcr.wsu.edu\/newsletter\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/slcr.wsu.edu\/newsletter\/wp-json\/wp\/v2\/users\/28040"}],"replies":[{"embeddable":true,"href":"https:\/\/slcr.wsu.edu\/newsletter\/wp-json\/wp\/v2\/comments?post=1119"}],"version-history":[{"count":27,"href":"https:\/\/slcr.wsu.edu\/newsletter\/wp-json\/wp\/v2\/pages\/1119\/revisions"}],"predecessor-version":[{"id":1490,"href":"https:\/\/slcr.wsu.edu\/newsletter\/wp-json\/wp\/v2\/pages\/1119\/revisions\/1490"}],"wp:attachment":[{"href":"https:\/\/slcr.wsu.edu\/newsletter\/wp-json\/wp\/v2\/media?parent=1119"}],"wp:term":[{"taxonomy":"wsuwp_university_location","embeddable":true,"href":"https:\/\/slcr.wsu.edu\/newsletter\/wp-json\/wp\/v2\/wsuwp_university_location?post=1119"},{"taxonomy":"wsuwp_university_org","embeddable":true,"href":"https:\/\/slcr.wsu.edu\/newsletter\/wp-json\/wp\/v2\/wsuwp_university_org?post=1119"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}